Some of you know me of the article on DJTECHTOOLS of "four hacker projects unlock traktor remix decks".
I've worked out my project to a single .exe file
features:
1) first time a guided setup of your midi controller (with interface)
2) other times are the preferences loaded automaticly, so no setup everytime
3) for every controller
4) I can make a midi-fighter version for you guys.
5) It's free (no surveys, no adds. I did it just for the fame ^^)
This is pc only (at the moment....)
video: https://www.youtube.com/watch?v=t_jZ8DlTk2A&feature=plcp

Let me know something if you want an article about it.

There is a huge list of effects (on Traktor at least), and it is hard to decide when and why to use them in order to make an impression on the crowd. It is not hard to apply an effect on your mix, the hard part is to apply the effect at the right time in order to obtain best results. I know this can very well be something that every DJ does and it becomes somewhat of a characterizing part of his/her style, but there is a general consensus on a number of technics that can be thought of as standard/ basic.
Let's see them guys! You can do it!

I would love to hear how other producers do their own tunes, what they like about their own style, what is their core tecnique and more. You can pick an "underground artists" (means like...skilled bedroom producers, not-famous artists...) every week, asking them some interesting question.

WHY SHOULD YOU DO IT? Answer: WHY NOT? upcoming artists have a free mind, free way to approach stuff and I think it is usefull to listen to their words and tunes in order to get inspired and boost personal creativity.

I am keen on this particular topic. If you need it I can help you developing this idea.

Cheers

Hey Guys! I think that many of you will find this interesting and useful!
So, as I heard, every acc file you download from Beatport etc, is coded with DRM. As you download your songs to windows platform, and then copy this files to your gig laptop - mac, the DRM disappears due to some "technical" stuff. The same thing is while you backup your music library into external drive. NOW, The problem appears for example in Poland. The police is controlling some of the clubs in order to find the illegal downloaded music, and thats okej. But, sometimes while checking music on your computer, they can't find drm due to issues when you copy music from your computers or back up. That puts you in extreme situation because you don't have any evidence to protect your rights!

It would be great to do a article on the do's and don't of how to go about getting your tracks signed to a record label.

Maybe you can get some inside advise form big artists and top labels.

Also you should include a pice on some new creative ways to approach this task.
And for all the new producers like my self it will also be solid if this article gave a brief intro on how the music industry works, in terms of record deals, track signing and copy rites and so on.

The method of emailing your track to a bunch of labels is a dead idea. As they just get too many of these to actually be interested in all of them.

It is clear you need to do something more unique, thats why I think you have a great opportunity to explore this for all the producers out there that are making great tracks but not getting the exposure they deserve.